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Preface: reading postmodern fiction

1. Postmodern fiction: theory and practice

2. Early postmodern fiction: Beckett, Borges, and Burroughs

3. 1960s and 1970s US metafiction: Coover, Barth, Nabokov,

Vonnegut, Pynchon

4. The postmodern historical novel: Fowles, Barnes, Swift

5. Postmodern-postcolonial fiction

6. Postmodern fiction by women: Carter, Atwood, Acker

7. Two postmodern genres: cyberpunk and 'metaphysical' detective

fiction

8. Fiction of the 'postmodern condition': Ballard, DeLillo,

Ellis

Bibliography

Index.

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　　Postmodern fiction presents a challenge to the reader: instead

of enjoying it passively, the reader has to work to understand its

meanings, to think about what fiction is, and to question their own

responses. Yet this very challenge makes postmodern writing so much

fun to read and rewarding to study. Unlike most introductions to

postmodernism and fiction, this book places the emphasis on

literature rather than theory. It introduces the most prominent

British and American novelists associated with postmodernism, from

the 'pioneers', Beckett, Borges and Burroughs, to important

post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson,

Auster, DeLillo, and Ellis. Designed for students and clearly

written, this Introduction explains the preoccupations, styles and

techniques that unite postmodern authors. Their work is

characterized by a self-reflexive acknowledgement of its status as

fiction, and by the various ways in which it challenges readers to

question common-sense and commonplace assumptions about

literature.

　　? Introduces the key authors and texts from both the US and UK ?

Offers overviews of key themes such as gender and colonialism ?

Grounds its discussions of theory in detailed discussions of

literary texts